Idris Solomon Idris Solomon

CONTENT vs ART

It All Begins Here

Why the Difference Matters More Than Ever

Art inspires. Content converts. One is a gift to the public; the other is a transaction with an audience. In visual storytelling, confusing the two is how creators lose their voice to the algorithm.

Artists make art. Then we post it. Then it becomes content. There's a difference. And every photographer, filmmaker, and brand needs to understand where the line sits.

The Purpose Behind Each Image

The artist in us creates from imagination and shares it with the public to inspire and entertain. Content, by contrast, exists to engage an audience that will eventually become consumers.

When brands hire us at Black Shutter Productions, our job is to artfully create content — to bring the discipline of art into work built for commercial consumption. Sometimes those two forces pull in the same direction. Sometimes they're in outright opposition.

How Platforms Are Training Us to See

I know editors actively encouraging young photographers to shoot vertical because that's how most people consume news now. As independent creatives in journalism, media, and editorial, we have to deliver in multiple formats. That's part of the job.

But here's what happened recently: I uploaded an image to Instagram. The platform auto-cropped it to fit its vertical dimensions. That serves Instagram's goal of training viewers to see vertically. It doesn't serve my goal as the artist who wants his work viewed horizontally. On the grid, my photo looked like trash. Weird crop. It looked like a mistake.

The platform isn't designed to cater to the artist. It has its own agenda. The more we understand that, the less we fight against the currents of this evolving digital landscape — and the more intentional we become about when to ride them and when to paddle the other way.

What We Lose When We Only Shoot Vertically

Many young photographers primarily make vertical images because that's how they see most of their content. Even videos are made that way. Our phones and apps are training us to think vertically.

But art shouldn't be dictated by a single medium. Photography matters because it reveals how the photographer sees the world. That perspective is the product. When we only shoot vertically, we lose parts of the story. No one actually views the world that way. We've been conditioned to.

Perspective Is What Survives the Algorithm

There's a time for a narrow perspective and a time for a wide one. The real skill is knowing when to choose. When the current app fades (remember the panic around the TikTok shutdown?), what remains is our perspective.

There's a difference between art and content. One is for consumption. The other is for inspiration. Choose the frame that best represents your view of the world — not the one the platform defaults you into.

Work with Black Shutter Productions

At Black Shutter Productions, we build brand films and visual campaigns that treat content like art and respect the perspective of the artists behind the lens. If that's the kind of work you want made for your brand, let's talk.

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Idris Solomon Idris Solomon

Proof of Existence

It All Begins Here

The First Time I Saw My Father's Face

Family photography isn't vanity. It's evidence. It's the document that proves someone was here, that they mattered, that they lived. For many Black families, those documents are rare — and the ones that exist carry extra weight.

Imagine waiting your entire life to see what your father looks like — and realizing the first photo you find of him is of a man younger than you are now.

2019: The Aunt I Never Met and the Photo She Sent

Back in 2019, I did a people-finder search and tracked down my father's family. An aunt I'd never met sent me a photo of my father — someone I'd never met. For the first time in my life, I saw his face.

It felt like what I imagine a visually impaired person might experience the first time they see light, shape, or color. I stared at the image on my phone for a long time.

The irony landed hard: the first picture I ever saw of him was of a man younger than I am now. I was old enough to be his father. That's a strange thing to carry.

Photography, Access, and Black American History

From what I've learned, my father wasn't about the camera. In the few photos that exist, he's turned away or caught mid-motion, like he's escaping the frame. Relatives would point to a blurry figure and say, "That's your father."

The early days of photography have always been about access. For many African Americans in earlier generations, photos were rare luxuries. The best portraits they had were often taken in uniform — military photos that granted them a dignity they weren't granted as civilians.

The only photo I have of my maternal grandfather is a military portrait too.

Time Tattoos: Why Photography Matters

I wish I could see more dimension to my father and grandfather. I want to see images that showed their laughter, their warmth, their spirit. But I'm grateful the military documented their existence at all.

Photos like these are time tattoos. They serve as proof that someone was here, that they mattered, that they lived.

As a photographer, I know how easy it is to take these moments for granted. But this image — my father's clean-shaven face framed on my wall — reminds me why photography is important. Wishing all the veterans peace today.

Work with Black Shutter Productions

Black Shutter Productions tells stories that matter: brand films, family legacy work, and documentaries that treat images like the historical documents they are. If you have a story that deserves preserving, reach out.

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